In the Studio Post-Pandemic
As we move into 2022, I'm excited to be joining the new DC Arts Center (DCAC) Sparkplug Collective. We just closed our inaugural Sparkplug exhibit with a nice review in the Washington Post. In other news, I couldn't be more honored to be part of the programming for Sue Wrbican's Buoyant Oracle in Reston, VA. In the studio, been busy as the greening of my practice continues, to include moulding paper pulp from former screenprints into new work, as well as experimentation with natural dyes and pigments.
Sparkplug Collective dcartscenter.org/programs/sparkplug/
EXHIBIT REVIEWS:
Mark Jenkins Review of Human Nature in the Washington Post
Buoyant Oracle: A Sculpture that Talks Back
New Batch of Oracle Readings are Live (January 2022)
In continuation of the seed grant, generously provided by the GLB Memorial Fund, the next batch of Oracle readings are now live! This batch of Oracle readings were created by Rahne Alexander, Veronica Jackson, Naoko Wowsugi, Mira Hecht, and Maggie Gourlay. Try Buoyant Oracle out and see if you get any of the new readings!Brand49 Exhibit Review, Pasadena Weekly
Washington Post Review of Migration/Adaptation in the Anthropocene
Washingtonian Review of Migration/Adaptation in the Anthropocene
Washington Post Review of Strictly Painting Exhibit
by Mark Jenkins,
www.washingtonpost.com/entertainment/mu…Guarlingo Review of Babel's Bricks by Michelle Aldridge
Q&A Guide Lines Curator Georgia Dennis with Maggie Gourlay
Washington Post Review of AAC Solos
Bmoreart review of Sondheim Semi-Finalist Exhibit
Review by Mark Jenkins in the Washington Post
In The Galleries: Maggie Gourlay
The Washington Post, September 14, 2014
www.washingtonpost.com/entertainment/mu…Michael O'Sullivan review in Washington Post
wpa Interview Curator Ren Waung on SELECT 2013